Solitary Solitary Tales 1

The first book in the Solitary Tales suspense series will remind you what it means to believe in what you cannot see.

Solitary, North Carolina is one of those small towns in the Smoky Mountains that could easily be overlooked. Yet Chris Buckley can’t overlook anything since he’s just moved there and fallen for the wrong girl. He’s made enemies with the wrong people. He’s starting to have nightmares about very, very wrong things. Something is happening in this creepy little town, and it seems to somehow center around Chris. A four-book YA series that will keep you up at night and make you wonder about its mysteries to the very end. #1 Solitary: When Chris Buckley moves to Solitary, North Carolina, he faces the reality of his parents’ divorce, a school full of nameless faces—and Jocelyn Evans. Jocelyn is beautiful and mysterious enough to leave Chris speechless. But the more Jocelyn resists him, the more the two are drawn together. Chris soon learns that Jocelyn has secrets as deep as the town itself. Secrets more terrifying than the bullies he faces in the locker room or his mother’s unexplained nightmares. He slowly begins to understand the horrific answers. The question is whether he can save Jocelyn in time. This first book in the Solitary Tales series will take you from the cold halls of high school to the dark rooms of an abandoned cabin—and remind you what it means to believe in what you cannot see. #2 Gravestone: At first, Chris Buckley was simply warned. And watched. But as Chris unravels the haunting riddles of the town of Solitary, he finds that much more than the life of a town is at stake. Whether facing a pastor with a house full of skeletons or a cousin he never knew existed, Chris is forced to choose between light and darkness, life and nightmarish death. Every choice he makes reminds him that the unthinkable has already happened—and if he trusts the wrong person, it may happen again. This second book in the Solitary Tales continues Chris’s journey toward finding out who he is and what his own role is in the darkness suffocating his tiny new hometown. Filled with shocking twists, Gravestone is a tale of a teenager thrown into a battle over a town, a secret—and ultimately his own soul. #3 Temptation: The third book in the Solitary Tales series for young adults, Temptation follows the soul-wrenching twists of Chris Buckley’s journey as he heads deeper into a darkness that threatens all he loves best. As a reluctant student at Harrington High’s summer school, Chris meets a fun-loving senior girl who offers a welcome diversion from Chris’s past. Soon Chris no longer searches for the truth about the town of Solitary. He no longer tries to pierce its shadows. He no longer questions his role in its mysteries. He makes a new choice: he runs. What he doesn’t realize is that he’s running the wrong way—and is very close to being beyond any choices at all. #4 Hurt: When Chris Buckley first encountered the mysteries of creepy Solitary, North Carolina, he had little idea how far he would fall into the town’s shadows. After losing the love of his life, Chris tried to do things his way. He hunted answers. Then he gave up trying to find them. But now Chris comes back to Solitary knowing there’s a purpose for his being there. As he watches his place in a twisted and evil bloodline become clear, Chris waits for the last battle—and wonders who will be left when he finally makes his stand. The fourth and final book in the Solitary Tales shines light into deep darkness as Chris’s journey to Solitary comes to a dramatic close.

Classic study of myths relating to creation, agriculture and rain, hunting rituals, coyote cycle, monstrous enemy stories, many more.

Book 1 of Heirs of Acadia, continuing the story told in the bestselling Janette Oke and T. Davis Bunn Song of Acadia series. Erica Langston's comfortable home and loving family living near Washington, D.C., carry no outward hint of the sorrows and fears faced by her Acadian forebears, but she will soon discover that similar determination and fortitude will be required of her. When the British once again invade the nation's capital and leave death and destruction in their wake, Erica is left to deal with the creditors circling around the crumbling family business. It seems her only recourse is to travel to England to collect on outstanding debts held in British banks. Arriving in London at the home of the United States ambassador, Erica is gradually immersed in a secret mission that brings her face-to-face with her most feared and reviled enemy. She discovers that Gereth Powers is part of a group of Christian activists headed up by William Wilberforce himself. Along the way, Erica comes to realize her faith has been more cultural than real, and her spiritual journey becomes far more signi?cant than her journey over the ocean.

Re-Reading The Excursion: Narrative, Response and the Wordsworthian Dramatic Voice is a groundbreaking study, which transforms contemporary critical understanding of The Excursion and of the place of this long poem in the Wordsworthian canon. Sally Bushell argues that the poem, which has suffered at the hands of critics for most of the twentieth century, has been unfairly judged according to a Coleridgean rather than a Wordsworthian definition of "philosophy"-that it has been read as a didactic work, rather than one which uses its dramatic form to teach its readers to think for themselves. She offers a new reading in which The Excursion is shown to be about providing the readers with moral habits and mental constructs by which to learn, not simply telling them what to think. The book begins with a discussion of the reception of the poem in 1814, considering the responses of Coleridge, Hazlitt, Francis Jeffrey and Charles Lamb. This historicized discussion is then balanced by a reading of the poem at the compositional stage, looking at the emergence from the manuscripts of a Wordsworthian dramatic voice. The author goes on to argue that the poem's philosophy is performative-that is, concerned with the way in which moral ideas can best be communicated, as much as with the ideas themselves. She then shifts her attention to consider how this operates in relation to the reader, considering the importance of context in relation to emotional response. Later, the epitaphic books are reconsidered in the light of Wordworth's critical writing; Bushell argues that the significance of the epitaph for him lies in its values as a poetic form in which the text itself is released from poetic authority. Finally, the author looks back at The Prelude from the perspective of The Excursion and shows how the later poem attempts to value the ordinary, rather than the poetic, mind. The conclusion reached is that Wordsworth is not just the "egotistical" poet of The Prelude, interested largely in the development of his own imaginative powers, but one who goes on to explore the limits of subjectivity and the importance of different kinds of imaginative links between individuals.

This collection takes stock of current discourses in American studies on the political valence of American utopias, be they as religious diasporas or as socialist experiments, fantastic or realist, successful or failed. The included essays take into account the spatiality of utopias (especially in their visionary scope), analyze currents in literary utopias, and look at dystopian visions in literature. This volume strives to keep alive the long tradition of writers, artists, and scholars who warned against imminent disasters and envisioned ways to counter such ruinous bearings. (Series: American Studies in Austria, Vol. 17) [Subject: Sociology, Literary Studies]

Reproduction of the original.