The Space Between Worlds

The Sunday Times bestseller A stunning science fiction debut, The Space Between Worlds is both a cross-dimensional adventure and a powerful examination of identity, privilege, and belonging. 'My mother used to say I was born reaching, which is true. She also used to say it would get me killed, which it hasn't. Not yet, anyway.' Born in the dirt of the wasteland, Cara has fought her entire life just to survive. Now she has done the impossible, and landed herself a comfortable life on the lower levels of the wealthy and walled-off Wiley City. So long as she can keep her head down and avoid trouble, she's on a sure path to citizenship and security - on this world, at least. Of the 380 realities that have been unlocked, Cara is dead in all but 8. Cara's parallel selves are exceptionally good at dying - from disease, turf wars, or vendettas they couldn't outrun - which makes Cara wary, and valuable. Because while multiverse travel is possible, no one can visit a world in which their counterpart is still alive. And no one has fewer counterparts than Cara. But then one of her eight doppelgängers dies under mysterious circumstances, and Cara is plunged into a new world with an old secret. What she discovers will connect her past and future in ways she never could have imagined - and reveal her own role in a plot that endangers not just her earth, but the entire multiverse.

NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • An outsider who can travel between worlds discovers a secret that threatens the very fabric of the multiverse in this stunning debut, a powerful examination of identity, privilege, and belonging. WINNER OF THE COMPTON CROOK AWARD • FINALIST FOR THE LOCUS AWARD • “Gorgeous writing, mind-bending world-building, razor-sharp social commentary, and a main character who demands your attention—and your allegiance.”—Rob Hart, author of The Warehouse ONE OF THE BEST BOOKS OF THE YEAR—NPR, Library Journal, Book Riot Multiverse travel is finally possible, but there’s just one catch: No one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying—from disease, turf wars, or vendettas they couldn’t outrun. Cara’s life has been cut short on 372 worlds in total. On this dystopian Earth, however, Cara has survived. Identified as an outlier and therefore a perfect candidate for multiverse travel, Cara is plucked from the dirt of the wastelands. Now what once made her marginalized has finally become an unexpected source of power. She has a nice apartment on the lower levels of the wealthy and walled-off Wiley City. She works—and shamelessly flirts—with her enticing yet aloof handler, Dell, as the two women collect off-world data for the Eldridge Institute. She even occasionally leaves the city to visit her family in the wastes, though she struggles to feel at home in either place. So long as she can keep her head down and avoid trouble, Cara is on a sure path to citizenship and security. But trouble finds Cara when one of her eight remaining doppelgängers dies under mysterious circumstances, plunging her into a new world with an old secret. What she discovers will connect her past and her future in ways she could have never imagined—and reveal her own role in a plot that endangers not just her world but the entire multiverse. “Clever characters, surprise twists, plenty of action, and a plot that highlights social and racial inequities in astute prose.”—Library Journal (starred review)

The notion of citizenship is complex; it can be at once an identity; a set of rights, privileges, and responsibilities; an elevated and exclusionary status, a relationship between individual and state, and more. In recent decades citizenship has attracted interdisciplinary attention, particularly with the transnational growth of Western capitalism. Yet citizenship's relationship to gender has gone relatively unexplored--despite the globally pervasive denial of citizenship to women, historically and in many places, ongoing today. This highly interdisciplinary volume explores the political and cultural dimensions of citizenship and their relevance to women and gender. Containing essays by a well-known group of scholars, including Iris Marion Young, Alison Jaggar, Martha Nussbaum, and Sandra Bartky, this book examines the conceptual issues and strategies at play in the feminist quest to give women full citizenship status. The contributors take a fresh look at the issues, going beyond conventional critiques, and examine problems in the political and social arrangements, practices, and conditions that diminish women's citizenship in various parts of the world.

Womens Liberation and the Sublime is a passionate report on the state of feminist thinking and practice after the linguistic turn. A critical assessment of masculinist notions of the sublime in modern and postmodern accounts grounds the author's positive and constructive recuperation of sublime experience in a feminist voice.

Have you ever felt uncomfortable in your own skin? Maybe there's a reason... Jeremiah Pym is a private detective – not the flashy gun-toting gumshoe of old, but a quiet, respectable shamus of modern day who earns a modest living on domestic intrigues and background checks. After being hired for what should be a routine surveillance job, Jeremiah witnesses a kidnapping, barely escaping with his life. The next day, however, not a trace remains of any kidnapping... or anything else that he saw. Trying to put the puzzle pieces together leads the detective on a convoluted chase that brings into question everything that he's ever known about himself. With the help of his Native American mentor, Edgard Moon Bear, Jeremiah discovers that the key to the mystery may be found in another world – a world where therianthropes (human/animal hybrids) are the sentient beings, and where hundreds of years of slow change has allowed some of these beings to wield magical powers. As Jeremiah learns the secrets of his own past, he comes to learn who and what he is... and why his existence is central to the continued survival of two worlds.

Includes music.

Silent reading is now universally accepted as normal; indeed reading aloud to oneself may be interpreted as showing a lack of ability or understanding. Yet reading aloud was usual, indeed unavoidable, throughout antiquity and most of the middle ages. Saenger investigates the origins of the gradual separation of words within a continuous written text and the consequent development of silent reading. He then explores the spread of these practices throughout western Europe, and the eventual domination of silent reading in the late medieval period. A detailed work with substantial notes and appendices for reference.

Michele Phoenix crafts a poignant story of a young woman recovering from the evils of this world through perseverance, hope, and the light in a centuries-old document.

Discussing the idea of space in the first half of the 19th century, this book uses contemporary poetry, essays, and fiction as well as scientific papers, textbooks, and journalism to give an account of 19th-century literature's relationship with science.

A collection of new essays establishes women's voices as a powerful presence in US nature writing.